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Organ Playing: What Are the 3 Exceptions of Legato Articulation in Romantic and Modern Music?
Legato articulation is a traditional touch in Romantic and contemporary organ music, with some exceptions. It is important for the organist to know legato if he does not use touch. This is because such music can lack precision, clarity and vitality when played through legato articulations. In this article, I would like to explain his three examples of when legato articulations should not be used and how such cases should be played in Romantic and contemporary organ works.
1. Repeated notesThe first exception to the rule of legato articulation concerns repeated notes in an organ composition. Whenever you see repeated notes in the same voice, you have to play them in a very precise and precise way. Repeated notes should be shortened by half that value if the note can be split in half (double time). If the meter is 3x his, look at the music to determine the shortest value most often seen in this song. This is called the shortest value unit value. Shortens repeated notes by a unit value.
2. Staccato signThe second important exception to legato articulations is staccato marks. Staccato literally means “short” and is indicated by a dot below the note. The most accurate way to play staccato notes in romantic modern organ music is to shorten the notes by a unit value. For example, if the staccato symbol is below an eighth note and the song unit value is sixteenth notes, shorten these notes by sixteenth rests. If the unit value is 8 notes in such a song, shorten the note in half.
3. Notes before unisonA third exception to legato articulation is when one of the two voices is still and these two voices later form a unison interval. This note should be abbreviated with the unit value. For example, let’s say the most frequently used note in a song is his eighth note. That’s the unit price. The top voice has two his quarter notes D and D and a semitone G. The lower voice has two semitones G and G, the second G is in unison with the upper voice. That is, the rule is to shorten the first to of a low voice by a unit value (an eighth rest).
Try to find the above exceptions in organ music and practice shortening notes exactly by unit values. This gives you the precision, clarity and vitality you need in your performance.
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