And Blues Or R&B Music Style Out Of The Us Hispanic Contribution To Doo-Wop

You are searching about And Blues Or R&B Music Style Out Of The Us, today we will share with you article about And Blues Or R&B Music Style Out Of The Us was compiled and edited by our team from many sources on the internet. Hope this article on the topic And Blues Or R&B Music Style Out Of The Us is useful to you.

Hispanic Contribution To Doo-Wop

The contribution Hispanics have made to the vocal group harmony scene is widely underestimated and misunderstood. There are few books on Hispanic contributions to rock and roll, let alone the history of vocal groups. In fact, there are no publications on Hispanic involvement in the vocal group scene. Perhaps the reason is the fact that many Hispanics were in a unique position to serve as “crossovers” in vocal groups. was in position. The reason for this is clear.

Hispanic racial makeup played a large role in the development of collective singing. Hispanic racial types range from blue-eyed blonde hair to black and everything in between. I felt at home. The terms Hispanic or Latinx as used here are used in broad general strokes to include all peoples with roots in the Iberian Peninsula, the Caribbean, and Latin America.

In the early development of the street-corner sound, especially on the East Coast of the United States in the 1950s, Hispanics, primarily Puerto Ricans, were the primary vocalists, singing along with black and white ethnic groups. They were in many popular vocal groups. Featuring Johnny Maestro, The Crest included Hispanics, Frankie Lymon and the Teenagers, Tune Weavers, Five Disc, The Vocalists, and Lens had Latino members. Some groups like Claremont, which featured Vince Castro, and the Four Heaven Nights had Hispanic members. The many groups that came later, such as the Excelentes, the Valrays, and the Devotions all played a key role in shaping the group’s sound.On the West Coast, he was one of the first UN groups or interracial groups. One Jaguars had Manny Chavez.

Due to their unique position of being able to crossover, some, like Mystic, were found in all-white groups and were usually identified as white, who were Italian. Some were related, while others, like The Eternals, were considered predominantly Latinx, depending on the region or community in which the Hispanics lived. Some bore the cultural characteristics of prominent racial or ethnic groups within the community.

As such, some Hispanic people gravitate toward Black culture, Italians, Jews, or whatever culture was prominent within their community. As well, the contribution of Hispanic vocalists to the vocal group harmony scene is significant but understated. Some were involved in managing, recruiting and writing, like Raul Chita of the Harptons, Cliff Martinez of the Crows, Esther Navarro of Cadillac and Cecilio Rodriquez of the Imperials.

Overall, the role they played in the vocal group picture is important because they played a role in building bridges of understanding and uniting along the racial and ethnic boundaries that existed in the 1950s and early ’60s. Hispanics played a role in building bridges between races and helped bridge the racial gap. For this reason, Hispanics helped dispel the white-biased notion that rock and roll was purely decadent black music. Additionally, many Latinos played a role in the overall development of rock and roll in general.

While urban Hispanics entered the vocal group arena in the 1950s, Latino talent and participation exploded in the early 1960s. This was partly due to the East Coast phenomenon occurring along the corridor extending from Boston to Philadelphia. This sonic corridor is called the a cappella corridor. Warner wrote: “From 1962 to his circa 1966, an East Coast phenomenon occurred in which harmony enthusiasts came into contact with hundreds of a cappella vocal groups and their recordings made exclusively for that audience.”1

The 1960s provided an opportunity for many urban teens of all classes to actually document what they were doing in the street corners, bathrooms and hallways. For the first time, a teenager was able to sing and record his own version of a song recorded by his favorite group. All of these his teens continued and emulated the sound of his 1950s her R&B group, which had taken a beating as a result of musical and social change.

This opportunity opened the door for Hispanics not only to join multi-ethnic groups, but also to develop and insert their own ethnic vocal group styles. Many solid groups, including Hispanic members, made important contributions during the a cappella era. Among them were Five Jade, Chessman, Zircon, Concept, El Cielo and Majestic, just to name a few. They were all looking for an urban sound that represented the unusual mix and infusion of cultures encountered in everyday life in the Jersey City-New York area. Appeared. What followed was a move to record, capture and continue the sound of his R&B groups in the 1950s. The role Hispanics played in forming the group paved the way for building bridges of understanding between races. This is one of the major collective contributions Hispanics have made not only to the history of vocal groups, but to rock and roll in general.

1 American Singing Groups: A History 1940-1990

Jay Warner – Billboard Book 1992 – Page. 322

© 2006 All rights reserved

Video about And Blues Or R&B Music Style Out Of The Us

You can see more content about And Blues Or R&B Music Style Out Of The Us on our youtube channel: Click Here

Question about And Blues Or R&B Music Style Out Of The Us

If you have any questions about And Blues Or R&B Music Style Out Of The Us, please let us know, all your questions or suggestions will help us improve in the following articles!

The article And Blues Or R&B Music Style Out Of The Us was compiled by me and my team from many sources. If you find the article And Blues Or R&B Music Style Out Of The Us helpful to you, please support the team Like or Share!

Rate Articles And Blues Or R&B Music Style Out Of The Us

Rate: 4-5 stars
Ratings: 7606
Views: 16074610

Search keywords And Blues Or R&B Music Style Out Of The Us

And Blues Or R&B Music Style Out Of The Us
way And Blues Or R&B Music Style Out Of The Us
tutorial And Blues Or R&B Music Style Out Of The Us
And Blues Or R&B Music Style Out Of The Us free
#Hispanic #Contribution #DooWop

Source: https://ezinearticles.com/?Hispanic-Contribution-To-Doo-Wop&id=401078

Bài viết đã được tạo 3296

Bài liên quan

Bắt đầu nhập từ khoá bên trên và nhấp enter để tìm kiếm. Nhấn ESC để huỷ.

Trở lên trên