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So, You Want To Collaborate? The Key to Success For Songwriters
Collaboration is one of the most rewarding and productive activities a songwriter can engage in. It is also one of the most rewarding activities. Co-writing stretches you in ways you could never have imagined in advance.
If you look at Billboard’s singles chart, you’ll find that the majority of hit songs are written by two or more authors. why? Because many songwriters have found that the total collaborative effort is much greater than the sum of their solo composing parts. We are all human and have strong suits that we can take advantage of and weaknesses that we can compensate for with other people’s strengths.
Many artists find their limits in just writing year after year. A jack-of-all-trades approach may produce inspiration, but solo writers often fall into a rut.
If you feel the urge to merge with other talents, first take an objective look at yourself as a songwriter. Imagine your next joint writing appointment as a potluck. What will you bring to the party?
o Are you passionate, enthusiastic, hardworking, and fun?
o Are you willing to give your time, energy, money and heart to the worthy cause of making great music?
o Do your songs have unique talent or powerful language?
o Are you willing to give and listen to constructive feedback?
o Are you familiar with the ground rules and terminology of your chosen field?
the most important:
o Have you produced a body of work that showcases your strengths as a writer?
like a magnet
How can you attract quality collaborators? First of all, the most successful and talented writers aren’t trying to lift you up with bootstraps. However, many are willing to work together if they see something of value from the partnership. So your job is to produce material that other writers think will contribute to their success.
Also, remember that most people want to work with a partner who has achieved a similar level of development. You can’t expect that. Why is the songwriting different?
Aim to be a magnet for collaborators. This means getting your contribution in the best possible shape before you even step in the door.
You will inevitably be judged by the actual goods you put on the table. This is how it should be. Please look at the series of work so far with an objective eye.
do you have:
o Are the neatly typed lyrics arranged in identifiable song form?
o What are the best versions of instrumental tracks, melodies, hooks and riffs?
o list of possible titles?
o Are there some potential “song starts”?
o Do you have a finished song demoed by a pro?
These are the “calling cards” you present to other songwriters and artists. You want to hone them so rigorously that you can safely demonstrate their worth proudly, rather than apologizing, humiliating, or making excuses for their shortcomings. Isn’t that the standard of quality you expect in return?
You “pay your dues” by honing your talent, your diamond, to a glorious brilliance. Eventually, word spreads that if you take your gift seriously, you can offer something of value. This process is sometimes called “eating up the music food chain”. It doesn’t happen overnight. There is no “first aid”, as in the field of serious engagement.
“YA GOTTA KISSA LOTTA FROGS”
Participation is key. Join, play, take risks… Basically, you have to stake your talent, heart, and soul! will not solicit co-authors. Creating a writing relationship from scratch requires a concerted and consistent effort.
In fact, I’ve realized that collaborating is a lot like… dating.
o Some collaborations are flings. Good for some songs, but not in the long run.
o Some are a nightmare. You’ll want to run screaming in the opposite direction.
o Some people are not rewarded. You feel the urge, your partner does not.
o Luckily, some things are magical. It can last for a long time, possibly forever.
And yes, it’s heartbreaking. But I guarantee you will feel fully alive! There is no dull moment in this quest, as you and your co-writers aspire to the high mission of creating great art together.
You have to keep writing, rewriting, and publishing, believing that it will eventually attract like-minded souls. So where are these like-minded souls hiding?
A few days of research will give you a wealth of opportunities. Since 1983, I have collaborated with at least 100 other authors.
o Take a songwriting class.
o Find a teacher or mentor.
o Start a local songwriting support group.
o Hire or start a band, even with a limited number of gigs.
o Join a performing rights group (ASCAP, BMI, or SESAC in the US)
o Check out programs offered by music business organizations such as The Songwriters Hall of Fame, The Recording Academy, Women In Music and the Nashville Songwriters Association. )
o Join various online songwriting communities. Please search on Google. Myspace.com offers a whole new realm of possibilities.
o Check local publications and listings for showcases, classified ads and open mics.
o Search the Internet for performers who follow your music flow.
o Go to your local music store and check the bulletin boards, or put up your own sign.
o Place free ads on Craigslist.com.
o Read or subscribe to music business publications.
You are only limited by your imagination and level of commitment.
In summary, there’s no such thing as a free lunch, but there are delicious treats available if you want to unleash your talents. What about mixed metaphors?
Finally, I encourage you not to be afraid to dig deep into yourself when writing songs. Your listeners will always know that you are sincere and genuine.
o Write your truth and write a lot.
o Dare to write a terrible song in search of a brilliant song.
o Create a support team that upholds higher standards.
o Develop your strengths and compensate for your weaknesses as a writer, player, singer, and engineer.
o Read books, do exercises, subscribe to publications…know your field!
o Participate thoroughly and develop relationships with various potential partners.
Let’s raise the level of the world’s songs together to bring back the music of the good old days!
Copyright 2006 Alex Forbes
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