How To See How Many Songs You Have On Apple.Music The Three Badfinger Songs With A Beatles Connection

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The Three Badfinger Songs With A Beatles Connection

Badfinger was one of the first groups signed to the Beatles’ new record label, Apple, in the late 1960s. In a previous incarnation they were known as The Iveys and enjoyed a moderate hit in Europe with the song Maybe Tomorrow. It was inconsistent with the direction of power pop and was considered corny at the time. The Beatles’ road manager Neil Aspinall stepped in and changed the new name to Badfinger (cited as a reference to the Beatles song With A Little Help From My Friends, which boasted the working title Bad Finger Boogie). Proposed.

Badfinger’s relationship with the Beatles at the time earned them great acclaim, but for leading songwriters Pete Hamm and Tom Evans the repeated comparisons to the Fab Four became disgusting. , also ended up taunting them somewhat. They had some success in the United States over the next three or four years, but were bogged down by the poor management contracts they signed along the way. It caused great tension within and proved toxic to their careers.

The first of Badfinger’s three songs directly related to the Beatles gave Badfinger their biggest UK hit.

* Come and Get It – This song from the album Magic Christian Music was written by Paul McCartney and the final recording was almost a mirror image of McCartney’s demo version in which he played all instruments. It entered the top 10 worldwide and was tagged as the ‘New Beatles’ (for better or worse).

* No Matter What – From the album No Dice, originally produced by Beatles roadie Mal Evans, to the final production completed by Geoff Emerick, one of the Beatles’ regular engineers since 1966. They definitely hit a much heavier sound here than on anything they’ve done as The Iveys. Pete Ham’s outstanding lead vocals were liked by Lennon and many heavy rock representatives of the time, such as Paul Rodgers of Free and Ian Gillan of Deep Purple.

* Day After Day – From the 1971 album Straight Up. Initially produced by George Harrison, his involvement was abruptly curtailed by his commitment to the Concert For Bangladesh. Final production credit went to Todd Rundgren. To my ears, the track’s clear slides make his guitar sound like it belongs only to George.

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