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Best Video Settings for the Canon 2000D or Rebel T7 DSLR Camera
The first thing you need to do when shooting video with your Canon EOS 2000D / Rebel T7 DSLR camera is to move the DIAL MODE icon to video mode (camera icon). This is the only way to enter video mode and the only way you can shoot video. As you do this, you will hear the sound of the mirror inside the camera popping up. This will enable the live view screen on the back of the camera. This is the only way you can shoot video. You can’t shoot video through the viewfinder because you don’t actually look at the image through the viewfinder. Only displayed on the rear live view screen. When lowered to video mode, pressing the menu button also brings up the video menu tab. You can see that there are four video tabs dedicated to shooting video.
The first thing to do in these tabs is to determine your video system. Video system refers to the type of system that televisions use in different countries. For example, it was mostly called PAL in Europe and NTSC in the US. Since the frame rate varies, it is important to set it correctly for your country/region. Go to VIDEO TAB 2 and at the bottom you will find the video system. Press SET to open it and you will see that there are only two options: NTSC or PAL.
After setting up your video system, the next thing you need to check is the video frame rate and size. This camera is pretty good – it shoots 1080 at 30 or 25 frames per second and 720 at 60 or 50 frames per second. Now 1080 is full HD and 720 is standard HD, both of which are great for social media and viewing on a fairly large screen. Go to VIDEO TAB 2 and look at MOVIE RECORDING SIZE at the top. Then you can choose 1920×1080 at 25 frames/second and 1920×1080 at 24 frames/second. Then 50 for 1280×720, then 25 for 640×480. Too poor to be worth watching. But look at 1080×25 and 720×50. 25 frames per second is the speed at which the human eye can detect motion, and that’s the norm.
25 frames per second is a reasonable quality video in terms of how the video looks. 50 frames per second looks a little smoother. Also, shooting 50 frames per second means you can use slow motion more effectively. If you’re using PAL, you can choose between 25 and 50 frames per second. If you choose NTSC, your choices are 30 and 60 frames per second. When you set up your video system, the frame rate is the only thing that really changes, but we recommend shooting at 1080×25. Shoot at 1080×25 for better frame quality. Alternatively, if you’re looking for a certain smoothness, or want to do slow-motion video shooting, shoot at 50 frames per second.
The third thing to check is MOVIE EXPOSURE. When shooting stills, you have a huge number of options for exposure settings and the type of stills you shoot. So from manual not setting the exposure at all, to responsible for the exposure – semi-automatic, then fully automatic setting, here the camera determines the exposure and sets the parameters accordingly. You have only two options. It can be either automatic or manual. The place to make that choice is in his VIDEO TAB 1 at the top which is MOVIE EXPOSURE. With automatic selected, this camera actually shoots very good video. By basically deciding on the same settings (ISO, shutter speed, aperture) as for still images, the camera produces a very well exposed video. However, if you want to get a little more creative, you can choose manual.
Sound is the next thing to consider when shooting video with this camera. Deciding how to record the sound is very important. Now go into the menu again and go to the video tab 2 and you will find the audio recording just below the movie recording size and if you click on it you will have 3 options. The first option is invalid. Even if you decide not to use sound in your video at all in your final edit, we do not recommend disabling sound completely. This is because audio helps you identify clips. The other two choices are AUTO or MANUAL. The automatic recording on this camera is actually pretty good. The downside of it is that it picks up a lot of ambient sound, especially since it’s automatic and you don’t know what you’re trying to record. . However, if you only want to pick up certain sounds, like someone speaking, Auto may not be the right setting. Manual setting allows you to set the recording level so that this camera picks up the sound you are trying to record. So you have to decide whether to set it to manual or automatic.
The next thing I would like to focus on is the autofocus system. On the Canon T7 he has two autofocus methods and if you’re looking through the viewfinder the system here is very fast and very sharp. If you’re watching from the live view screen, it’s a little slower, but you have a few options and you can see them here. You can see the options in There are three options here: Flex Zone, Live Mode and Quick Mode. Flexizone is the same as the single AF method through the viewfinder. In other words, half-press the shutter button and the camera will focus. The nice thing about this is that you can shoot live video. Still pretty good. The next mode is called live mode and its advantage is that it has facial recognition. So if you’re videotaping a person, it will automatically try to focus on one of his faces that’s in the frame. This is very convenient, but you have to press the shutter button to do it. The third is quick mode. Currently this doesn’t really work well, but it’s designed to be called quick mode. This is because you exit video mode, enter viewfinder mode, focus, then return to video mode again. Obviously it’s not really that useful for video shooting as you can’t shoot video and use quick mode at the same time, but it could be a bit faster as it stops the video being processed. Resume the video again, but with Flexzone for almost everything. Because even if the frame contains a face, it’s up to you to decide what you want to focus on. Sometimes you want to focus on the face you want to focus on. If it’s something else and you don’t have a face when you’re in live mode, go back to the flex zone anyway.
The next thing I would like to pay attention to is the picture style. If you’ve already shot stills with this camera, you’re probably aware of the image style options. These options increase the contrast, increase the saturation, make the image more vibrant and punchier, or desaturate the image so that the photo is completely black and white. The same options apply to videos. You might be inclined to leave it on Auto, as we do with the still image style, but I actually recommend changing it to be Neutral. Go to TAB 3 and you will see an option for PICTURE STYLE. Also, you can see that it has all the same options as stills. At the top is Auto, then Standard and Portrait, etc. As I say, I choose Neutral. Because it should be as flat as possible, not too high. Nothing really makes editing that video difficult. You can add saturation while editing, you can add contrast while editing, but you can’t easily get rid of these things. It’s not as easy as with still images, because it’s a lot of information and 25. Or 50 frames per second. So the aim is to create a really flat video and add some style when editing the video.
Finally, what I always look at when shooting video is white balance. If you’re shooting in a single location, you might be happy just leaving it on auto. The auto white balance on this camera is so good that there’s really no reason to change it, but if you’re shooting in a different location the lighting may be slightly different and the color contrast and tones will be slightly different. may vary. In that case, it’s a good idea to set the white balance everywhere. Lighting looks completely different when you move from one place to another. There is an option in the menu to change the custom white balance. If you go to SHOOTING TAB 3 you can click on the image style above to get the option to change the white balance. It’s not that difficult. It’s pretty easy if you buy the manual and I’ll tell you exactly how to do it, but I would recommend changing the white balance by changing locations often while shooting video and turning that white balance on. We recommend that if you want to know more about every time you change locations, you may not have looked at the manual specifically written for this camera. In fact, we provide free sample manuals. To see the full video about filming on the rebel t7, just click the link here or the description below and we’ll send it to you right away, completely free. These are the optimal video settings for Canon EOS 2000D/ Rebel T7.
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