The Impact Of Rap And Hip-Hop Music On American Youth Worldwide Appeal of JRock and KPop: Proof of Universality of Music?

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Worldwide Appeal of JRock and KPop: Proof of Universality of Music?

At the time of writing this article, the Asian group is on the global charts. Korean pop groups and Japanese rock bands are landing in markets and cultures previously dominated by Western music.

Videos of K-Pop girl bands (Korean pop for beginners) such as Wonder Girls have been viewed millions of times on YouTube. Their single “Nobody” is an international hit. Meanwhile, JRock (that is, Japanese rock) and visual kei pioneers XJapan held concerts in the United States and toured in various American cities.

Without a doubt, Asian music has achieved mass appeal on a global scale. And the number of fan followers from countries other than Japan and Korea is also increasing. But KPop and his JRock are still a curiosity.

Their music is rooted in contemporary western forms such as rap, hip-hop, R&B (rhythm and blues) for KPop and punk, rock and metal for JRock, but the lyrics are mostly written in their native language. In other words, their fans, who are neither Korean nor Japanese, do not understand the message of the song! It seems as if They don’t understand the lyrics of the song. Still, they come in droves to hear them in concert. And they download them legally and pay for it. Shockingly, but true, the “children of today” look and dress like idols.Cosplay Japan Subcultures (again cosplay, for the ignorant; fans dressing up like their favorite anime/manga characters) are also a global phenomenon.

So the question is, are both tendencies evidence of the so-called ‘musical universality’? of music being a universal language?

My friend would beg to be different. He argues that both are examples of “cultural imperialism,” in which the culture of an economically dominant country directly and indirectly influences and conquers the culture of a more backward country. For example, he sees KPop and JRock as Western music’s dominance over Japanese and Korean culture.

I disagree. Although he recognizes the direct and indirect ‘pressures’ of economic issues (such as the Western monopoly on production, distribution and advertising in the world music industry) on cross-national cultural issues, his view is that ‘musical forms It concentrates only on the problem of “.

According to his logic, I believe that the only pure and true music (and culture in general) is the “folk music” (or folk culture) of different countries. I consider such an opinion to be “narrow Puritanism.”

Music and culture are constantly evolving as people of different backgrounds mix and interact with each other. National cultures are melting a multi-ethnic, global melting pot facilitated by the development of the Internet and other means of modern technology. There really is only one race. Humanity.

Still, America’s superiority in interstate relations was undeniable. The influence of Western music on Asian music is a byproduct of America’s global economic triumph after World War II.

But the more essential question for me is not the ‘form’ of the music, but its message or its ‘substance’. Debate in musical form should be viewed as a mere ludicrous pursuit. Simply put, my sister and I created a website that pitted a JRock fan against his KPop addict, just for the fun of expressing ourselves. But that’s another story. Therefore, it is the message that is more important than the medium (musical format).

Sadly, art (especially music) is an industry driven primarily by profit. It’s a business to make money from talented (sometimes not so talented) people, rather than promoting artistic freedom and expression.

But even if such representation is not beneficial, there are a “select few” who are given the opportunity to truly express themselves, although they may come from different or contrasting musical forms. To paraphrase guitarist and industry veteran Eric Clapton, he states in his autobiography that the percentages in the music industry are still the same. And who are we up against? “Clapton is God,” says graffiti in late-’60s London. And God can’t be wrong, right? (smile)

Is the global appeal of JRock and KPop a reflection of the universality of music? Yes. But only partly. Because when they use various gimmicks, like having Korean girls wear skimpy shorts to sell their songs, that’s when music takes a backseat and “profit” gets behind the wheel. It’s fun, isn’t it? transformation! (smirk) #

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