What Hip-Hop Do People Use Their Mouth To Make Music Pitch Problems in the Recording Studio – 7 Solutions to Fix Them

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Pitch Problems in the Recording Studio – 7 Solutions to Fix Them

Pitch problems in the recording studio can be extremely frustrating when you don’t know why you’re having trouble or what to do to fix it. The pressure to perform adds to the tension that builds in your mind and your body; the harder you try, the worse your pitch gets. This is almost universal in new singers recording for the first time, but even veteran and professional vocalists can be affected by pitch control issues.

When an artist who is really good in live performance goes into the vocal booth, there are often numbing body language changes that take place, without the person even knowing it. The person ceases to move, ceases to “communicate” with the body, the hands and the face. The weight of the mic is missing, so the singer subconsciously leans forward with the head, causing the chest to cave in a bit. These actions cause breathing problems, affecting the inhale, breath support and breath control. They also lead to a tighter throat channel. Without fail, these factors are sources of pitch problems as well as other vocal limitations including thin sound and limited vocal range.

What can a singer do? Here are seven tips I’ve found to be instantly effective for improving pitch control in the vocal booth.

  1. Move your feet farther in towards the mic, which should cause you to have your head farther back (or you’ll hit the mic with your mouth). It should also cause your chest to open, stretching the ribcage and diaphragm out, enabling you to get both better inhale and better control of that breath when you sing. You may need to move the music stand to do this. Don’t lift your chin, just loosen your shoulders and allow your head to move back over your tailbone.
  2. Use your hands like you do in live performance. Don’t grab the “cans” (headphones) with your hands, because this tends to put subtle weight on your ribcage, tightening it and limiting your diaphragm’s control of your breath.
  3. Put your fingertips together in front (I call this “studio hands”). When you “go” for a note, you’ll press your fingertips into each other, causing your chest to open and your head to go back. Again… be sure you’re not lifting your chin, keep it level and floating and just let your neck be flexible and your spine will take your head back.
  4. Purposefully listen to the pitch in some kind of acoustic instrument in the track.
  5. Do NOT listen for pitch from the bass, because overtones can throw you off. Try taking some of the instruments (especially swimmy or busy instruments) out of your headphone mix.
  6. Watch how much reverb you are using in the mix. Too much or not enough, and you won’t do as well. Use just enough to make you feel “live”, but not enough to get lost.
  7. Take one headphone half-off one ear. That grounds you acoustically in the vocal booth… and gives you more of an accurate sense of the pitch you’re singing. Not everyone does better this way, but most do (I certainly do).

The next time you record your voice, take these tips with you and have confidence that you can indeed sing in tune. Then you can just concentrate on making your audience FEEL something, instead of worrying about how to get control of your pitch!

For more professional vocal advice, see the links below:

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