Whatever U Want G.O.O.D Music Has Arrived Remix Vigil "China Soul" – Music Review

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Vigil "China Soul" – Music Review

One of the many great things about this wired and connected world we walk around in is that we have access to art and music from other countries. Back in the day, say, any decade before the 1990s, your average American music fan would be hard-pressed to find almost anything he wasn’t. Played on the radio and Created in one of the “big two” music countries (USA and UK).

There must have been a few specialty shops and a handful of mail order houses, but unless one knew, you were out of luck. The recordings that could be found were presented to the public as audio anthropology or kitsch exotica. It’s not casting scatter. On the contrary, album series like the Smithsonian’s “Folkways Recordings” have helped preserve sound treasures from Bali to the Mississippi Delta that have informed and inspired generations.

However, the right of records of this type to be limited to the field of folklore. They are often representations of a particular tradition from a particular tribe or ethnic group. As a result, they convey a sense of anonymity in relation to the artist and art.

Don’t get me wrong, that’s not necessarily a bad thing. The everyday and embedded music of the world is one of the things that give meaning to life. People singing work songs, drumming to accompany marriages and funerals, playing fiddles from the pub, everything, everything is essential. But our age is another matter. We mix and match styles and sounds like the musicians of another era swapped chords and rhythms. You have hybrids like the punk/gypsy/ska/folk of Gogol Bordello and the psychedelic/freak out/drones/troubadours of Acid Mother’s Temple.

It turns out that location is actually not everything. One way or another music finds its way to the right listener. In this case the right music found the right listener in Pedro Vigil. Vigil’s new CD “China Soul” (Siesta Records) is a charmer. From the first note you are transplanted into a clean and refreshing audio heaven, which while referring to different musical styles from around the globe, manages to sound original and unique. Vigil is primarily the creation of Pedro Vigil from Spain and is realized through a huge amount of collaborations with various drummers, organists, string ensembles, horn sections and pianists. The music is probably best described as a light mix of exotic jazz and space age pop. Sometimes you hear strains of Esquivel or Les Baxter.

The title track, “China Soul” has an ancient Marsh beat that’s flooded by dreamy washes of sting and cut by reverb-drenched surf guitar. It’s like you’ve snuck into a private cocktail party for Chairman Mao’s inner circle.

Someone hands you a martini, you take a sip and realize it’s hopped, lean back in a plush armchair to watch a 3D version of “Endless Summer” playing on the ceiling. Other tracks find inspiration from the rhythms and sounds of bossa nova. “Los Gatos High School” embraces and glides with the grace of the racket of Jobim or Brett Bacharach. You listen to it like you’re sipping a cold drink on the beach under a palapa. All this art looks so effortless and smooth that you are left stunned and smiling.

Another highlight is the track “Akira Kurasawa”. Not only is it named after one of the truly great filmmakers of all time, its orchestration, jewel box chimes and Star Trek-esque theremin swirl and spin a magical sound. “Soul of China” is a delight from start to finish. It pays homage to vintage and retro without sounding dated. The skill of the actors and the quality of the works make this product of our connected and multi-sectarian world a gem. It is a blessing for us to live in an age with access not only to the traditions, but also to the art of music from other countries.

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