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Trends and Challenges in Modern Literature
The world is changing at an accelerated pace. It is becoming more and more like a huge stage with many postmodern scripts flashing before our eyes.
Do you not share this opinion? This is just a short reminder of the latest news:
Geneva, 10 September 2008. The first beam at the Large Hadron Collider at CERN successfully swung around the full 27 kilometers of the world’s most powerful particle accelerator at 10:28 this morning.
A European court says the idea that a new super collider project could create a “celestial vacuum” (a nice name for a black hole) and eventually consume Earth is debatable, but the project can move ahead on schedule anyway.
We wake up every morning to a cheap 70’s SF movie. Just a reflection of the “state of the art” in human evolution. You have to admit it. We split the atom, the center of everything, and thus created chaos.
The contemporary poets reflect this chaos. Postmodern literature does the same. Select the fractions. Out of the chaos, the modernists and postmodernists extract fragments of life around them. They then leave it to the reader to put these fragments back together.
But don’t let yourself think in traditional ways when you refer to the modern and postmodern Literary questions. You have to be open to the experience and it will make sense! The modern author deliberately leaves the work open to the interpretation of the readers. Endless endings, much like the world we live in. Are these just signs of new artistic tendencies or a complete literary response to literary questions of a new, different reality?
It is increasingly difficult to get today’s media-savvy new generations to acquire a taste for reading classic literature, given the strong influence of movies, the Internet, and the aforementioned circumstances.
You can blog, blog, vlog, and podcast, all for free, and prepare for appreciative readers, too. You can write and publish your own books (e-books) for a fraction of the cost of a printed book. You can say that this is a bright side of the lyrics. Anyone can be a writer and writing no longer seems formidable.
There are opinions that chatting on the Internet or frequent messages through mobile phones harm our children’s language skills.
Communication and language skills have actually improved with the advent of the internet. Basically, the more we chat, whether it’s through the web or email or mobile, the more we write, pronounce more and somewhere the communication skills improve and the fear of English, French, German, Serbian or any other language disappears.
Emerging literary trends and technologies
Understanding the symbolism of a new literary medium can seem like a terrifying experience. The first step to understanding is observation. So let’s see what are the main providers of literature response in the new millennium.
Wikipedia’s definition of collaborative writing (this famous Internet encyclopedia is an illustrative example of collaborative writing itself): “The term collaborative writing refers to projects in which written works are created by several people together (collaboratively) rather than separately.”
There is a saying that says “teamwork makes a dream work”. Collaborative writing can often lead to books that are richer and more complex than those created by individuals. Having many people working on a project added to the creative process. Also, they can be a huge support to each other. And you never know where the story is going! Is there no end?
Start recognizing postmodernist symbols?
Another analogy: instead of a continuous method of devouring in traditional writing, collaborative writing brings all the means of interactivity in the creative process. By using communication tools such as the Internet, mobile phones, collaborative writing software, etc., the writing process is dismantled and reassembled, preferably managed by the group, the community, even the readers – the audience, instead of being solitary and selfishly controlled by one person.
Literature born out of chaos. Is this another symbol of the postmodernism we have just discovered in the practice of applied literature?
This is why, despite many tangible complexities associated with the idea of collaborative writing, it presents a respectful literary phenomenon. It’s here to stay. The main challenge in the future will be how to put it in the written context, “acceptable to all”, instead of continuing to deny its relevance.
Because of digital technology and the distribution possibilities offered by the Internet, small publishing is possible today more than ever. Independent voices can be affordably available to the general reading public, providing fresh titles, both fiction and non-fiction.
However, starting and running a small publishing house can seem like a complicated endeavor. Purchasing international standard book titles, purchasing a unique web domain name for your publishing site, determining a niche for your publishing efforts, locating the book printer that best suits your needs, contacting small press friendly book reviewers and sending attractive press kits, visiting small press expos and networking with small publishers Others, are just individual pieces of the puzzle that many freelance writers are unwilling or unable to deal with.
While major publishing may claim most of the profit margins, small publishing remains increasingly alive and well among the small, entrepreneurial set.
Visualization of literature
This is a “hot term”, one of those that can make you look smart at a party. However, the roots of literary visualization go back to the first half of the last century. We all remember the “War of the Worlds”, by HG Wells, famous radio broadcasts, and few of you also, nostalgically remember the musical version of Jeff Wayne with a star like Richard Burton as the narrator-hero.
In its broad context, literary imagery implies all people with different communicative interpretations of literature. From recorded stories, video meetings of popular movie stars reading children’s literature, the completion of a large-budget film project, on the digitization of literature and e-book publishing, to large international projects such as Project Gutenberg for example. The book teaser video industry is becoming more and more prominent.
Another important aspect and interpretation of the term visualization of literature is related to new writing techniques and innovation. To summarize in two words: “Show, don’t tell.” Anticipating the growing aspirations of a new generation of movie-watching and mostly visual readers, writers tend to think of their books as mini-movies, with multi-dimensional characters with a defined point of view.
Social networks, broadcast media and new models of copyright
In the era of WEB 2.0, social networks create a completely new medium for spreading the message to the masses.
The music industry was the first to recognize the full potential of the Internet and online communities. Many popular music stars and bands first published their work online. They realized in time the potential of live and close interaction with their audience and the benefits it brings in the short term and long term respectively.
The same processes develop within the literary community. The main issue of copyright has been successfully digested by the introduction of the ingenious Creative Common license which offers creators the best of both worlds to protect their works while encouraging certain uses of them.
Literature is constantly changing, following global trends. For literary scholars, writers and consumers, it is important to recognize the significance of both contemporary literary questions and the symbolism of a genuine literary response to the challenges of the new era. This new understanding will add quality tools to our literature arsenal and allow us to enjoy it in different, new and exciting ways.
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