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An Interview with Illustrator Bob Staake About His ‘Orb of Chatham’
Chatham, Cape Cod:
Christopher Saupert: I read that you finished both the drawings and the text of
Chatham ball in a week. How can that be true?
Bob Steak: You have to understand, and people who know me know that I am
Unbearable workaholic and that I work very fast, that the book was one of a kind
A thing where just a lot of things happened at the same time. Once I decided to do it I
Didn’t destroy the book or anything. I went straight to my last illustrations and
They were practicing, and I thought, “Well, there’s no real reason to go on
Rough this thing. I can just take it straight and finish and do it.”
It was the first of my forty or so books that I did that way, which I just did
Completely passed and finished it without sketches or anything. I think
There are books that are exactly like that. It was a story that was so simple, that at the end
The day you look at it, that’s 290 words or so, and 13 illustrations.
I just tend to work very quickly and when I start a project or a book I don’t
The kind of person who wants that extended date. When they give me 9 months
By a publisher to do a whole thing, I always wait for the last month
Because I don’t want to spread these illustrations over time. For me to keep a
Cohesion and consistency between the illustrations is best for me
down and (hand gesture) do it straight up. I don’t jump from page to page. I do not
Say “I want to do this distribution,” you know, like a video director would or like a
The film director would cut back and forth between these scenes. I tend to get the
The whole thing flows out, so no, it literally took a week. This was one of those projects
I did on Thanksgiving of 2004. I thought I had some time to do it so I just did
punched through.
CS: So you just did it that way without a publisher approving your idea or anyone else
giving you a thumbs up
BS: Yeah, I’ve just been doing it for so long that what comes with it is a certain level
of self-confidence. I mean, I will tell you that one of my concerns was that it was the first one
A book I did completely without an advance or a contract from a publisher.
But my second book, a book called “The Red Lemon”, comes out with Random
House and this is also done in the same way. all the way. And you’re sitting there
With these books and you think, “Am I delusional when I think this story
He actually has wings and can fly?” Because you’re not showing anyone. You’re showing
Your friends, and your friends are all going to say “That’s wonderful!” You know, no
one straight with you. It’s only when you take it to a publisher and “BOOM!”
Within an hour, they’ve offered you a contract for it, and you say, “Okay, great, me
not crazy My head isn’t where it shouldn’t be.” So there’s a whole
Charity, but politically, when you work with editors and art directors and
Advertisers, I was certainly hyper-aware of the political implications of actually
Tells the editor, “Hey, I don’t need you here on this book.” But, happily, it didn’t happen
Turn them off and happily the book is doing very well.
CS: Is it? It stands out to me and is refreshing in that it actively asks
Participation on the part of the reader, while most books are much more a
A passive experience. But I wouldn’t necessarily think that would translate to
commercial success. Of course writers like Edward Gorey really worked in this market
Well
Do most of the people you talk to “get” the idea of the mystery you’ve opened,
With the joint dependence of the book and the website?
BS: These people who receive the book, those who read the book and open the code
And go into the deeper website and see all the things that are there, they are
Reacts to it amazingly. There was some interest in Inside The Orb
Chatham’s, and what happens next in a sequel, and I don’t know. are you
You know, one of my feelings about the book is that the reader is the person who
creates this back story. The reader is the person who takes the basic story and
develops it in his mind. I mean, it’s really an experience. what i wanted to do
was to democratize the literary experience between reader and author of the book and
Really raise the importance of the reader, and raise the argument that it is not
The book existed without a reader, okay? At the end of the day it really is true,
But what I really wanted to do was just build on it big. I am
Really wanted to make an experience where the reality of one person with this book
Different from the next person. They are the same causal part, integral to the whole
A process that completes the picture. So the idea of making a sequel, the idea
To do anything else beyond that, it kind of flies in the face of what I’ve been doing
Here with the book.
CS: Personally, I was able to open the code and get into the website, but yes
Quite blown away by the depth of the site within it. The onion layers are peeled
From there and I don’t know that I have yet gained a full understanding of the mystery ie
shown there. So I went back to the book, re-read it and all my perspective
About the story changed again. Then, of course, back to the website, and that’s it
the way it goes I’m still trying to figure out what the real questions are
Asked from me as a reader of the book.
BS: A lot of people have looked at the book and they just blow it
Someone found a way to combine a literary experience with a website
component, and kind of turning it into this whole multimedia thing and I compliment him
That, but I have to believe someone else did it. I think it is very
An ambitious website and there is a lot going on there, but to me it looks like a
completely natural. Certainly, for a mystery like this, this was a case where I didn’t
want to tell this great and elaborate story in a book. I could do it very easily but
I really wanted the site to function as a… that’s what I tell people, “the end of
The book, The End of Chatham Ball, is really the beginning of the story. This
Where does it begin.”
So, you set the stage, and once they open the code and go to the website, that’s it
Moving on, so for me, both as a writer and an illustrator, it was a great way to do that
An experience.. to continue to let the story breathe, just take angles and insert
Amazing detail into a back story that just wouldn’t work in print
The book comes in 290 words. I wanted it so bare. I wanted it so bare and I
I wanted the illustrations to be really sparse, and then I wanted to just keep it going
from there
CS: Was the site sort of a second idea, or was it always part of the first one
A concept from day one?
BS: Honestly, I don’t remember. I can tell you that much. It was essential to do the
Orb of Chatham and complete the whole book, and take it for publication, a
A small regional house like Commonwealth Editions in Boston, which did beauty
Working. They really got behind the book in the way that Viking or Simon and Schuster or
Random House was not. But when I thought about Random House I
He thought, “There’s no way I can do it the traditional way,” meaning show the cover,
Show the story, and show some example duplicates. I mean, everyone would be looking
That and say “What?!” I’m at a point in my career where, because of the use of the internet
As I do, I can pitch a book over the Internet to an editor. When I call an
editor and say, “Here’s what I have,” they can see it online. There is no more reason
That these hard copies will be flown to New York. So, I think while I was building the
pages, showing how the book would flow, and it was very important to show black
Background on the left with gray text and illustration on the right, it was just a
natural and then develop it beyond that.
CS: What kind of response do you get from those who don’t “get” the book? is there
Those who don’t “get it” what are you asking the reader to do here? which it is not
Should be a traditional book?
BS: No, I don’t think it’s a case of people not getting it. I think there are people who do
will look at it and say, “Oh no, it’s going to take work,” you know. I just
He happens to be a man of riddles, I like things like that; Any kind of puzzle, any kind of
Something you have to decipher or understand, you know. I am fascinated by things like
This. Some people like it and some people don’t, those people
who like tomatoes and some people don’t. This is a big juicy tomato. It’s never
ceases to amaze me. Some people will say, “I’ve been working on this for three days
try to solve the code,” and I say, “hey at least you’re working,” and I’m sitting there and
Say “You’ll get it, you’ll work it out.” One review said what was interesting about
The code is that there are some very simple questions, and they are quite empowering
To believe, “piece of cake, I’ll fly right away with it,” but then it gets hard and
People come back to some clues that they can’t really understand.
CS: So what is the right way to approach the overall mystery and detail
The components of the book and the website? Is solving the mystery better done
With logic or with imagination?
BS: People look at me and say, “This is a number-based code,” and it’s really not. It is
Requires numbers, but it really requires all the senses.. visual sense, tactile sense
In holding the book, definitely an oral sense in terms of hearing the music, because
It’s really scary and it kind of sets the stage. It’s almost a matter of total immersion.
One of the things I found interesting, and it’s one of the things I wanted
To do in the book, was when you read the book, you form a conclusion about the story.
If you have to keep solving the code and getting in there, so what
What a website does is take your original hypothesis and turn it inside out. All of A
All of a sudden, you have a whole different view of what really happened, you know.
This is what I wanted to create. I wanted to create a kind of “aha!” wait for
The reader where they think, “You know what, I really thought this was the real story,
But now I have a completely different perception.”
And now for an exclusive hint: author Bob Stake kindly provided it
Readers of the interview with another exclusive clue to the mystery of the Chatham ball.
In order for you to understand this hint, you must have already cracked the
Primary code on his website and gained access to the inner mystery of the sphere. if you
You haven’t yet completed this basic first step, go back and do it before you try
This additional research phase.
The clue to the Christopher Soffert interview is not required to solve the mystery
(You only need the book and its official website for this http://
http://www.OrbofChatham.com) But it does point to another part of
A puzzle that is only available through this exclusive link. But we don’t just go
To give you the hint – you will have to work for it. Investigate seriously and
Your clue will be revealed.
Now, visit the online clue at [http://www.MyChatham.com-] one of the real ones
“Orb” links on the right lead to Bob Stack’s additional research clue. read the
Through ten links but don’t guess – then select the bottom button of the one you are
Most of the feeling leads closer to the heart of the mystery. However, choose wisely. are you
Get 1 guess every 2 hours from your current computer. You get unlimited
Guesses, but if your guess is wrong you won’t be allowed to guess again because of that
time period.
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