Why Do Ppl.Say They Dont.Own.The.Right.To.The Music On Facebook An Interview with Illustrator Bob Staake About His ‘Orb of Chatham’

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An Interview with Illustrator Bob Staake About His ‘Orb of Chatham’

Chatham, Cape Cod:

Christopher Saupert: I read that you finished both the drawings and the text of

Chatham ball in a week. How can that be true?

Bob Steak: You have to understand, and people who know me know that I am

Unbearable workaholic and that I work very fast, that the book was one of a kind

A thing where just a lot of things happened at the same time. Once I decided to do it I

Didn’t destroy the book or anything. I went straight to my last illustrations and

They were practicing, and I thought, “Well, there’s no real reason to go on

Rough this thing. I can just take it straight and finish and do it.”

It was the first of my forty or so books that I did that way, which I just did

Completely passed and finished it without sketches or anything. I think

There are books that are exactly like that. It was a story that was so simple, that at the end

The day you look at it, that’s 290 words or so, and 13 illustrations.

I just tend to work very quickly and when I start a project or a book I don’t

The kind of person who wants that extended date. When they give me 9 months

By a publisher to do a whole thing, I always wait for the last month

Because I don’t want to spread these illustrations over time. For me to keep a

Cohesion and consistency between the illustrations is best for me

down and (hand gesture) do it straight up. I don’t jump from page to page. I do not

Say “I want to do this distribution,” you know, like a video director would or like a

The film director would cut back and forth between these scenes. I tend to get the

The whole thing flows out, so no, it literally took a week. This was one of those projects

I did on Thanksgiving of 2004. I thought I had some time to do it so I just did

punched through.

CS: So you just did it that way without a publisher approving your idea or anyone else

giving you a thumbs up

BS: Yeah, I’ve just been doing it for so long that what comes with it is a certain level

of self-confidence. I mean, I will tell you that one of my concerns was that it was the first one

A book I did completely without an advance or a contract from a publisher.

But my second book, a book called “The Red Lemon”, comes out with Random

House and this is also done in the same way. all the way. And you’re sitting there

With these books and you think, “Am I delusional when I think this story

He actually has wings and can fly?” Because you’re not showing anyone. You’re showing

Your friends, and your friends are all going to say “That’s wonderful!” You know, no

one straight with you. It’s only when you take it to a publisher and “BOOM!”

Within an hour, they’ve offered you a contract for it, and you say, “Okay, great, me

not crazy My head isn’t where it shouldn’t be.” So there’s a whole

Charity, but politically, when you work with editors and art directors and

Advertisers, I was certainly hyper-aware of the political implications of actually

Tells the editor, “Hey, I don’t need you here on this book.” But, happily, it didn’t happen

Turn them off and happily the book is doing very well.

CS: Is it? It stands out to me and is refreshing in that it actively asks

Participation on the part of the reader, while most books are much more a

A passive experience. But I wouldn’t necessarily think that would translate to

commercial success. Of course writers like Edward Gorey really worked in this market


Do most of the people you talk to “get” the idea of ​​the mystery you’ve opened,

With the joint dependence of the book and the website?

BS: These people who receive the book, those who read the book and open the code

And go into the deeper website and see all the things that are there, they are

Reacts to it amazingly. There was some interest in Inside The Orb

Chatham’s, and what happens next in a sequel, and I don’t know. are you

You know, one of my feelings about the book is that the reader is the person who

creates this back story. The reader is the person who takes the basic story and

develops it in his mind. I mean, it’s really an experience. what i wanted to do

was to democratize the literary experience between reader and author of the book and

Really raise the importance of the reader, and raise the argument that it is not

The book existed without a reader, okay? At the end of the day it really is true,

But what I really wanted to do was just build on it big. I am

Really wanted to make an experience where the reality of one person with this book

Different from the next person. They are the same causal part, integral to the whole

A process that completes the picture. So the idea of ​​making a sequel, the idea

To do anything else beyond that, it kind of flies in the face of what I’ve been doing

Here with the book.

CS: Personally, I was able to open the code and get into the website, but yes

Quite blown away by the depth of the site within it. The onion layers are peeled

From there and I don’t know that I have yet gained a full understanding of the mystery ie

shown there. So I went back to the book, re-read it and all my perspective

About the story changed again. Then, of course, back to the website, and that’s it

the way it goes I’m still trying to figure out what the real questions are

Asked from me as a reader of the book.

BS: A lot of people have looked at the book and they just blow it

Someone found a way to combine a literary experience with a website

component, and kind of turning it into this whole multimedia thing and I compliment him

That, but I have to believe someone else did it. I think it is very

An ambitious website and there is a lot going on there, but to me it looks like a

completely natural. Certainly, for a mystery like this, this was a case where I didn’t

want to tell this great and elaborate story in a book. I could do it very easily but

I really wanted the site to function as a… that’s what I tell people, “the end of

The book, The End of Chatham Ball, is really the beginning of the story. This

Where does it begin.”

So, you set the stage, and once they open the code and go to the website, that’s it

Moving on, so for me, both as a writer and an illustrator, it was a great way to do that

An experience.. to continue to let the story breathe, just take angles and insert

Amazing detail into a back story that just wouldn’t work in print

The book comes in 290 words. I wanted it so bare. I wanted it so bare and I

I wanted the illustrations to be really sparse, and then I wanted to just keep it going

from there

CS: Was the site sort of a second idea, or was it always part of the first one

A concept from day one?

BS: Honestly, I don’t remember. I can tell you that much. It was essential to do the

Orb of Chatham and complete the whole book, and take it for publication, a

A small regional house like Commonwealth Editions in Boston, which did beauty

Working. They really got behind the book in the way that Viking or Simon and Schuster or

Random House was not. But when I thought about Random House I

He thought, “There’s no way I can do it the traditional way,” meaning show the cover,

Show the story, and show some example duplicates. I mean, everyone would be looking

That and say “What?!” I’m at a point in my career where, because of the use of the internet

As I do, I can pitch a book over the Internet to an editor. When I call an

editor and say, “Here’s what I have,” they can see it online. There is no more reason

That these hard copies will be flown to New York. So, I think while I was building the

pages, showing how the book would flow, and it was very important to show black

Background on the left with gray text and illustration on the right, it was just a

natural and then develop it beyond that.

CS: What kind of response do you get from those who don’t “get” the book? is there

Those who don’t “get it” what are you asking the reader to do here? which it is not

Should be a traditional book?

BS: No, I don’t think it’s a case of people not getting it. I think there are people who do

will look at it and say, “Oh no, it’s going to take work,” you know. I just

He happens to be a man of riddles, I like things like that; Any kind of puzzle, any kind of

Something you have to decipher or understand, you know. I am fascinated by things like

This. Some people like it and some people don’t, those people

who like tomatoes and some people don’t. This is a big juicy tomato. It’s never

ceases to amaze me. Some people will say, “I’ve been working on this for three days

try to solve the code,” and I say, “hey at least you’re working,” and I’m sitting there and

Say “You’ll get it, you’ll work it out.” One review said what was interesting about

The code is that there are some very simple questions, and they are quite empowering

To believe, “piece of cake, I’ll fly right away with it,” but then it gets hard and

People come back to some clues that they can’t really understand.

CS: So what is the right way to approach the overall mystery and detail

The components of the book and the website? Is solving the mystery better done

With logic or with imagination?

BS: People look at me and say, “This is a number-based code,” and it’s really not. It is

Requires numbers, but it really requires all the senses.. visual sense, tactile sense

In holding the book, definitely an oral sense in terms of hearing the music, because

It’s really scary and it kind of sets the stage. It’s almost a matter of total immersion.

One of the things I found interesting, and it’s one of the things I wanted

To do in the book, was when you read the book, you form a conclusion about the story.

If you have to keep solving the code and getting in there, so what

What a website does is take your original hypothesis and turn it inside out. All of A

All of a sudden, you have a whole different view of what really happened, you know.

This is what I wanted to create. I wanted to create a kind of “aha!” wait for

The reader where they think, “You know what, I really thought this was the real story,

But now I have a completely different perception.”

And now for an exclusive hint: author Bob Stake kindly provided it

Readers of the interview with another exclusive clue to the mystery of the Chatham ball.

In order for you to understand this hint, you must have already cracked the

Primary code on his website and gained access to the inner mystery of the sphere. if you

You haven’t yet completed this basic first step, go back and do it before you try

This additional research phase.

The clue to the Christopher Soffert interview is not required to solve the mystery

(You only need the book and its official website for this http://

http://www.OrbofChatham.com) But it does point to another part of

A puzzle that is only available through this exclusive link. But we don’t just go

To give you the hint – you will have to work for it. Investigate seriously and

Your clue will be revealed.

Now, visit the online clue at [http://www.MyChatham.com-] one of the real ones

“Orb” links on the right lead to Bob Stack’s additional research clue. read the

Through ten links but don’t guess – then select the bottom button of the one you are

Most of the feeling leads closer to the heart of the mystery. However, choose wisely. are you

Get 1 guess every 2 hours from your current computer. You get unlimited

Guesses, but if your guess is wrong you won’t be allowed to guess again because of that

time period.

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