You.Tube.Now.That.S.What.I.Call.Music.1S.Cd.Review Everlace Author Tim Reed – An Interview

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Everlace Author Tim Reed – An Interview

I reached out to author Tim Reed to ask him some questions for my fantasy newsletter. He graciously agreed to an interview and share it with you here. Tim is from High Wycombe, Buckinghamshire, UK. He self-published his fantasy novel, Everlace: Knives of the Night, which was released on July 20, 2006.

about writing

Mary: What is your writing background, and when did you first think of yourself as a writer?

Tim: I grew up with writing, in the scope of school and creative writing at university. I read a lot of literature, the importance of which I cannot stress enough. Seeing yourself as a writer is a matter of self-confidence, ability and handwriting. I think I’ve always thought of myself as a writer since studying A-level English and then university, but when I finished my novel that’s when I knew I could call myself a writer.

Mary: Who or what influenced your writing, and how?

Tim: My father influenced my writing the most, by instilling a love of literature and language from a young age. Being a school teacher also helped me develop a wide vocabulary. Although the media can be a terrible influence, I have to admit that it has helped me a lot in fantasy; Be it with books, movies, TV, computer and board games. If you learn to focus on one area then there is a lot of influence and information you can gather.

Mary: Did your environment and/or upbringing influence your writing?

Tim: Again, as I answered before, my father influenced my writing, as did the fact that I didn’t let anyone stifle my imagination during my teenage years. It helped to visit my grandparents in Israel. There is nothing more inspiring to write and write fantasy than the country.

Mary: Do you use an outline?

Tim: When I started my novel, I was young and naive, and I just started writing with a minimum of outlines. Then I found out it was stupid and chaotic. Everyone should have an outline of some sort, but it differs from person to person on how detailed it should be; And of course you don’t have to stick to it heroically. You still need to write fluently. Personally I’ll look at my plan at the beginning of each chapter, then usually write without it until the next chapter unless I need to refer to it.

Mary: What conditions do you need to write?

Tim: Quiet is always useful, although I learned to adapt in the different houses I lived in. I used to write with classical music in the background, but do so less and less these days.

Mary: I know you are currently writing the second Everlace book. Do you have other projects you are working on?

Tim: I am taking a proofreading course to become certified as a proofreader and look for a job afterwards. There’s also a potential film project with a partner around the corner. I also have a prequel book in the works, and I’m working on some spoken word CDs for my first book with my housemate.

Mary: Do you believe in the “muse”?

Tim: I think the idea of ​​the muse is one that is based more on romance than facts. Personally, the closest I will have to a muse is nature and its influence on me. I would never blame writers block for its absence.

Mary: What do you think about “writers barrier”

Tim: I think it does, although writers tend to use it as an excuse sometimes when they are lazy or indifferent to their work. I think the more things you have on your mind, and the more busy you are with other things, the more likely it is to happen. Focus and delegation are key.

Mary: Do you have a favorite quote about writing?

Tim: ‘Salvation for your wounds: suitable words have power to rescue

the growths of a troubled mind,

And they are like a balm for attractive wounds. – John Milton (1671)

About Everlace

Mary: What is Everlace’s target audience?

Tim: This is for young adults. So children aged 11-16, although also accessible to older readers.

Mary: You have a very complex magic system, with wizards, sorcerers, villains, warlocks, sorcerers, hags and more, all with their own unique style of magic. How do you keep everyone straight?

Tim: I once read in fantasy, and in magic systems, that every magic must have a flaw or a downfall, because if it’s perfect magic then anything can be done and the story loses all tension and interest. After taking this on board I made every magic user have a flaw or limit to what their magic could do. Sorcerers for example can utilize a small percentage of the gods’ magic, but it drives them crazy using it. Wizards can only use Grimoire magic, wizards risk zombification if they summon monsters beyond their ability, and so on. You can have a lot of magic in a book, but as long as you don’t let the magic become a book you’re fine.

Mary: Does the heroine, Riddle, share any characteristics with you?

Tim: And indeed it does, albeit unconsciously until I read the book back to myself, and a friend commented on it. The quiet nature and naivety in certain situations would attribute themselves to me.

Mary: Is there a message in your novel?

Tim: of course. Each monster and race has its own background, its own intentions. How protected people deal with the world around them, with their gifts, weaknesses and with threatening and overwhelming powers.

About self-publishing

Mary: Why did you choose to self-publish your book?

Tim: It was almost made for me. I got to the end of the writing, and my father sat me down and said he found a self-publishing group instead of running like a regular publisher. I said forget it because I don’t have the money to pay for it, but he said he would take a loan to pay for it, because he believes in my ability. I checked them and they were reputable. I thought the opportunity was there, take it, instead of waiting years to get answers from mainstream publishers. This is how I get a foothold in the industry at a young age.

Mary: Is self-publishing what you expected?

Tim: quite a lot. I’m lucky in that my publisher still does a lot for me contractually, but it’s a case of you get out what you put in. It’s a lot more hands-on and you have a big say in everything. The production side was generally as well.

Mary: How was the process?

Tim: There was a year of editing and production after signing the contract, both from the publisher and myself. Then cover designs, marketing plans, consultations, contacts, etc. in a big panic. I won’t lie, it’s a little overwhelming, but it’s only natural. Writers tend to be reclusive, humble people, and with self-publishing it takes you out of your comfort zone, which is great for your growth.

Mary: Would you recommend the same method to other writers?

Tim: It depends. Self-publishing is becoming more and more viable, with the eradication of vanity publishers ripping people off. If you have the money then yes, as mainstream publishers are increasingly using self-published companies as a tool to pick up talent. That’s how it is in England anyway, I can’t speak for the US.

Mary: Will you publish your second book in the same way?

Tim: It also depends. If a big publisher comes along and offers a book deal then I’d be a fool to refuse, and my publishers won’t bother me anyway, but if not, and I’m making enough money or can take out a loan, then yes.

Mary: What steps did you take to publish your book?

Tim: You are using an umbrella effect. The most effective way to promote your book is surprisingly word of mouth, not advertising, although that helps. I sent out press releases and books to local papers, radio, schools, arranged book signings at Outacres, Waterstones and Borders. I received business cards, posters and flyers to place in relevant businesses. Approached published authors for reviews (still with little success), and generally became my book so to speak, opening my mouth. It’s not as hard as I thought to get contacts.

Other questions

Mary: What other hobbies do you have?

Tim: I am a good sportsman, I play football and cricket. There is an interest in mythology, religion, poetry, walking, theater, art, computer games and movies. I go to church and visit my family whenever I can.

Mary: Do these affect your writing?

Tim: Mythology and religion certainly do. Greek, Egyptian, Aztec, Norse, and Arthurian myth are perfect for ideas about characters, monsters, and settings, as is reading the Bible. Computer games and movies do this, too. Final Fantasy and Spirited Away are great examples.

Mary: what are you reading now

Tim: I’m reading ‘Twilight’ by Tim Levon

Mary: How does your family feel about your writing?

Tim: They fully support, and wish me to fulfill every ambition I have. My father is particularly interested in my work, and has helped me edit it in the past. He gets a proper mention in my acknowledgments.

Mary: Are you a member of any writing groups or websites?

Tim: I have a myspace account and have joined his various fantasy groups. I also recently joined the British Fantasy Society.

The reader is sent

Mary: I asked my newsletter readers if they had questions for a self-published fantasy author.

Mozer_Wolf: What do you recommend as a good ‘frequency’ for writers? I mean, how often should I write? once a week? Every day? What is a good starting pace for beginners?

Tim: I think this is an individual point of view, although I would try to write every day, even if it’s just a few words. And if you can’t write, then read back some of your work instead. It’s hard to go back to something if you leave it too long. Getting into a rhythm is essential to writing a good novel.

breezy-e: Do you think self-publishing would be better than traditional publishing if you live overseas from the country you’re trying?

Tim: No, I don’t think it will. Self-publishing usually tries locally first and then expands. It would be difficult to immediately try to sell it to another company, though not impossible. It depends on the country’s rights buyers, etc.

crazyjbyrd: Which one do you like more, Harry Potter or Lord of the Rings?

Tim: Definitely Lord of the Rings. Harry Potter is a cleverly marketed book, but Lord of the Rings is a masterpiece of literature.

Summary

Mary: What advice do you have for other writers?

Tim: An old cliché, but don’t give up. It’s hard to get grounded, but that doesn’t stop less intelligent people from getting into sports or movies. Know what your message is at all times, and try to create your own style quickly, but don’t be afraid to use other writers for inspiration. There is no such thing as original work these days. Everything is done in some way, just make sure you put your own spin on your work, and keep your characters strong, as they can carry dialogue for you when not much is happening, and keep the book lively.

Mary: Anything else you would like to say?

Tim: Too many people take the imagination out of the people in modern society. Don’t let the cynics and the culture do that to you. Also, if possible, get a background in business of some sort so you don’t get blindsided when trying to make your book sustainable.

Mary: Take an opportunity to compose your book.

Tim: Everlace is a teenage fantasy codreology set in a fictional world, based on 17-year-old Riddle’s quest for revenge. The world mixes dreams and reality, and Rydel’s gift means he can cross the dream world and influence events in the real world. It has elements of horror and mythology, and is an energetic and challenging novel, influenced by The Lord of the Rings.

Thanks for the questions and the interview, it helped me as much as you I’m sure.

Mary: Thank you so much for taking time out of your schedule for the interview, and for the thought put into your responses. I enjoyed it very much.

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